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Mrs. Ann Carson Dater, benefactor, Will
van der Heyden, Intarsia sculptor (seen in rear) and Ariel
Founder and Artistic Director, Lora Lynn Snow at the Grand
Re-Dedication of the Ariel-Ann Carson Dater Performing Arts
Centre April 22, 2006.
Reprinted with permission from The Columbus Dispatch
Article by Mary Beth Lane
GALLIPOLIS, Ohio — Nobody in the local symphony orchestra has ever met Ann
Carson Dater. As quietly as a soft violin note, Dater has donated $3 million
in recent years to endow the Ohio Valley Symphony Orchestra. And last
year, she gave the orchestra a permanent performance home in downtown
Gallipolis.
She provided $1 million to the nonprofit board that runs the orchestra and
affiliated arts organizations so that it could buy and renovate the brick
building that houses the historic Ariel Theatre. "This is all her
idea," said her attorney, Quintin Lindsmith, of Columbus. "She has never
heard it perform, never met anyone associated with it. But she knows that
for that part of Ohio, for there to be a symphony at all, really is a small
miracle."
Dater did not want to talk about her donations, preferring to remain in the
shadows. But this weekend, the longtime patron of the arts in this
Ohio River village will be in the limelight usually reserved for the
musicians. Dater’s name appeared this week on the new marquee of the
renamed Masonic Lodge building at 426 2 nd Ave. And the 89-year-old is
expected to attend today’s rededication ceremony of the Ariel-Ann Carson
Dater Performing Arts Centre and the 8 p.m. symphony concert in her honor.
The concert will include a new work specially commissioned to pay tribute to
her. The building was first dedicated April 23, 1896, when it belonged
to the Independent Order of Odd Fellows and included the Ariel Opera House.
What a gift for Gallipolis, said Lora Lynn Snow. The professional oboist
founded the Ohio Valley Symphony Orchestra in 1989 in the Gallia County
seat, about 90 miles southeast of Columbus, and now manages it and performs
with it. Co-founder Ray Fowler is the maestro. "It doesn’t make sense
to have an orchestra in a town of less than 5,000," Snow said proudly. "But
we do. It is happening." Thanks to Dater’s generosity. The quiet
philanthropist lives in an assisted-living development in Prescott, Ariz.
Her roots lie here by the Ohio River, though, and so
does her earliest immersion into classical music. Her history will be shown
on a plaque the Board of Directors of the Ariel Cultural & Performing Arts
Centre plans to install.
Dater grew up in Rutland in neighboring Meigs County and learned to play a
Montgomery Ward violin that her parents bought for her when she was in the
eighth grade at Parker Elementary School, a one-room
schoolhouse. She went on to perform with student orchestras at Rutland
High School and in college. She attended what is now Rio Grande
University and paid tuition by raising and selling chickens and borrowing
money from her grandfather. Dater earned an education degree, became a
schoolteacher and later married Cincinnati businessman and philanthropist
Charles Dater. He died in 1993, but she has quietly continued the couple’s
good
works. Dater has said that she always drew comfort from the beauty and
elegance of classic symphonic music.
The Ohio Valley Symphony Orchestra had been performing in Gallipolis for
about eight years when Snow received a surprise phone call. It was
Dater, who had heard of the symphony. She asked what was needed, and the
stream of contributions began. The symphony is excellent, said
Lindsmith, who has attended performances. Snow takes pride in that.
"We are losing our timpani player to the Cincinnati Orchestra," she said.
"We lost one of our horns to Philadelphia. Even in a town much larger,
people wouldn’t expect it to be this good."
The symphony orchestra had been renting its performance space from
the Gallia Masonic Co. When the Masons decided to sell the three-story
building in July, Dater donated the money so that the arts board could buy
it. The building bustled with activity this week as community volunteers
painted and cleaned, preparing for today’s concert and rededication. "Think
of the mark a lady can leave. She is leaving her mark, and this kind of
facility will definitely leave a mark on a lot of people,"
said retired highschool teacher Lloyd Danner, who was perched atop a ladder
painting the ballroom.
In addition to the symphony, the balconied, 465-seat Ariel Theatre and the
rest of the performing-arts center are home to a dance troupe, adult and
youth community-theater groups, and a women’s chorus. Dater plans to fly in
by private jet with her daughter and a caretaker to attend the rededication
and concert, Lindsmith said.
A bronze plaque will tell her story, ending with her
life philosophy:
The gift of Ann Carson Dater was made with the hope
that this building is forever to be a place where girls scratchily play
their first violin, boys courageously play the cello, and little girls wear
their first tutu. This building is forever to be a place where the ordinary
demands of life shall be suspended upon the commencement of great
performances. This building is forever to be a place where thundering
crescendos and soundless smiles live on in memory and feeling long after
they have passed. This building is forever to be a place where, hopefully,
from time to time, even just a few people become disoriented by wonder.
Purchase A Celebrate the Gift CD
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Bernard Di Gregorio tunes his viola before
rehearsal in the new Ariel-Ann Carson Dater Performing Arts Centre in
Gallipolis |
| Clarinetist Geane Helfrich, of
Charleston, W.Va., rides his bicycle as a worker touches up the marquee
of the the performing-arts center in Gallipolis. The center will
be rededicated tonight. |
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Maestro Ray Fowler
will lead tonight’s Ohio Valley Symphony Orchestra
concert honoring benefactor Ann Carson Dater. |
| Intarsia Installation
Click Pictures to enlarge
and see the entire process |
Intarsia by sculptor Will van der Heyden
"When I was approached about making a music piece for the Ariel-Ann
Carson Dater Performing Arts Centre in Gallipolis, Ohio, I was thrilled,"
says van der Heyden. "Music is large . . .even the softest notes from a
single string on a violin surrounds you. And with the full orchestration, it
can take you someplace only the listener is privy to.
I listen to Chopin's Romanze and think that he perhaps stumbles verbally -
in speaking to his lover - and the only way he can fully communicate his
love or feeling for her is through his music.
The object of any artist is for their works to affect the audience in
such a way that they are moved by it . . be it visual art, music or
theater . . . and for the audience to feel that they are not alone, even if it
opens a door that the viewer knew was there, but never would open
on its own.
Wood is a product of the rain, sun and earth. It comes like music and paint,
in various tones. I try to mix them to give each piece of work its own tone
or tempo . . hence "Intarsia" (meaning a mosaic worked in wood). Perhaps my
next piece should be both visual and audio incorporated together.
The music stimulates the visual . . .
. . .the visual stimulates the music.
When you see this piece and it affects you visually, as the first bars or
stanza of a Beethoven Symphony would affect you audibly, then I have
achieved my connection with the viewer. Please take from it what you need
and enjoy."
Thank you,
Will van der Heyden
Willem Bernhard van der Heyden immigrated to the United States in
1957 from Holland. He has always displayed artistic talent, winning the
National Gold Key Award for painting while still a students in high school,
leading to a full art scholarship which was subsequently forfeited for
military duty.
Throughout his life, he has worked with various media, but found his niche
in wood designs. His most recent works showcase his passion for music. With
a rare combination of creativity and craftsmanship, the artist magically
captures the essence of music and uses his fine sense of composition and
harmony to intricately weave this into his designs. His creative style
conveys a European influenced expressionism projecting what he feels through
his artistry.
Using select woods, he handcrafts each original piece and applies a clear
satin finish to the final work, allowing the natural beauty and richness of
the wood to come through adding warmth and dimension to each composition.
These unique pieces consistently win "Best of Show" and "People's Choice"
awards in juried art exhibits and are in private and professional
collections across the continental United States. |