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Celebrate the Gift

Mrs. Ann Carson Dater, benefactor, Will van der Heyden, Intarsia sculptor (seen in rear) and Ariel Founder and Artistic Director, Lora Lynn Snow at the Grand Re-Dedication of the Ariel-Ann Carson Dater Performing Arts Centre April 22, 2006.

Reprinted with permission from The Columbus Dispatch

Article by Mary Beth Lane

GALLIPOLIS, Ohio — Nobody in the local symphony orchestra has ever met Ann Carson Dater. As quietly as a soft violin note, Dater has donated $3 million in recent years to endow the Ohio Valley Symphony Orchestra.  And last year, she gave the orchestra a permanent performance home in downtown Gallipolis.

She provided $1 million to the nonprofit board that runs the orchestra and affiliated arts organizations so that it could buy and renovate the brick building that houses the historic Ariel Theatre.  "This is all her idea," said her attorney, Quintin Lindsmith, of Columbus. "She has never heard it perform, never met anyone associated with it. But she knows that for that part of Ohio, for there to be a symphony at all, really is a small miracle."

Dater did not want to talk about her donations, preferring to remain in the shadows.  But this weekend, the longtime patron of the arts in this Ohio River village will be in the limelight usually reserved for the musicians.  Dater’s name appeared this week on the new marquee of the renamed Masonic Lodge building at 426 2 nd Ave. And the 89-year-old is expected to attend today’s rededication ceremony of the Ariel-Ann Carson Dater Performing Arts Centre and the 8 p.m. symphony concert in her honor. The concert will include a new work specially commissioned to pay tribute to her.  The building was first dedicated April 23, 1896, when it belonged to the Independent Order of Odd Fellows and included the Ariel Opera House.

What a gift for Gallipolis, said Lora Lynn Snow. The professional oboist founded the Ohio Valley Symphony Orchestra in 1989 in the Gallia County seat, about 90 miles southeast of Columbus, and now manages it and performs with it. Co-founder Ray Fowler is the maestro.  "It doesn’t make sense to have an orchestra in a town of less than 5,000," Snow said proudly. "But we do. It is happening." Thanks to Dater’s generosity.  The quiet philanthropist lives in an assisted-living development in Prescott, Ariz. Her roots lie here by the Ohio River, though, and so
does her earliest immersion into classical music. Her history will be shown on a plaque the Board of Directors of the Ariel Cultural & Performing Arts Centre plans to install.

Dater grew up in Rutland in neighboring Meigs County and learned to play a Montgomery Ward violin that her parents bought for her when she was in the eighth grade at Parker Elementary School, a one-room
schoolhouse.  She went on to perform with student orchestras at Rutland High School and in college.  She attended what is now Rio Grande University and paid tuition by raising and selling chickens and borrowing money from her grandfather.  Dater earned an education degree, became a schoolteacher and later married Cincinnati businessman and philanthropist Charles Dater. He died in 1993, but she has quietly continued the couple’s good
works.  Dater has said that she always drew comfort from the beauty and elegance of classic symphonic music.

The Ohio Valley Symphony Orchestra had been performing in Gallipolis for about eight years when Snow received a surprise phone call.  It was Dater, who had heard of the symphony. She asked what was needed, and the stream of contributions began.  The symphony is excellent, said Lindsmith, who has attended performances.  Snow takes pride in that.  "We are losing our timpani player to the Cincinnati Orchestra," she said. "We lost one of our horns to Philadelphia. Even in a town much larger, people wouldn’t expect it to be this good."

The symphony orchestra had been renting its performance space from the Gallia Masonic Co. When the Masons decided to sell the three-story building in July, Dater donated the money so that the arts board could buy it. The building bustled with activity this week as community volunteers painted and cleaned, preparing for today’s concert and rededication. "Think of the mark a lady can leave. She is leaving her mark, and this kind of facility will definitely leave a mark on a lot of people,"
said retired highschool teacher Lloyd Danner, who was perched atop a ladder painting the ballroom.

In addition to the symphony, the balconied, 465-seat Ariel Theatre and the rest of the performing-arts center are home to a dance troupe, adult and youth community-theater groups, and a women’s chorus. Dater plans to fly in by private jet with her daughter and a caretaker to attend the rededication and concert, Lindsmith said.

A bronze plaque will tell her story, ending with her life philosophy: 

The gift of Ann Carson Dater was made with the hope that this building is forever to be a place where girls scratchily play their first violin, boys courageously play the cello, and little girls wear their first tutu. This building is forever to be a place where the ordinary demands of life shall be suspended upon the commencement of great performances. This building is forever to be a place where thundering crescendos and soundless smiles live on in memory and feeling long after they have passed. This building is forever to be a place where, hopefully, from time to time, even just a few people become disoriented by wonder.
 


Purchase A Celebrate the Gift CD 



Bernard Di Gregorio tunes his viola before rehearsal in the new Ariel-Ann Carson Dater Performing Arts Centre in Gallipolis
Clarinetist Geane Helfrich, of Charleston, W.Va., rides his bicycle as a worker touches up the marquee of the the performing-arts center in  Gallipolis. The center will be rededicated tonight.

Maestro Ray Fowler will lead tonight’s Ohio Valley Symphony Orchestra concert honoring benefactor Ann Carson Dater.

Intarsia Installation

Click Pictures to enlarge and see the entire process


 

Intarsia by sculptor Will van der Heyden


"When I was approached about making a music piece for the Ariel-Ann Carson Dater Performing Arts Centre in Gallipolis, Ohio, I was thrilled," says van der Heyden. "Music is large . . .even the softest notes from a single string on a violin surrounds you. And with the full orchestration, it can take you someplace only the listener is privy to.

I listen to Chopin's Romanze and think that he perhaps stumbles verbally - in speaking to his lover - and the only way he can fully communicate his love or feeling for her is through his music.

The object of any artist is for their works to affect the audience in such a way that they are moved by it . . be it visual art, music or theater . . . and for the audience to feel that they are not alone, even if it opens a door that the viewer knew was there, but never would open on its own.

Wood is a product of the rain, sun and earth. It comes like music and paint, in various tones. I try to mix them to give each piece of work its own tone or tempo . . hence "Intarsia" (meaning a mosaic worked in wood). Perhaps my next piece should be both visual and audio incorporated together.

The music stimulates the visual . . .

 . . .the visual stimulates the music.

When you see this piece and it affects you visually, as the first bars or stanza of a Beethoven Symphony would affect you audibly, then I have achieved my connection with the viewer. Please take from it what you need and enjoy."

Thank you,

Will van der Heyden


Willem Bernhard van der Heyden immigrated to the United States in 1957 from Holland. He has always displayed artistic talent, winning the National Gold Key Award for painting while still a students in high school, leading to a full art scholarship which was subsequently forfeited for military duty.

Throughout his life, he has worked with various media, but found his niche in wood designs. His most recent works showcase his passion for music. With a rare combination of creativity and craftsmanship, the artist magically captures the essence of music and uses his fine sense of composition and harmony to intricately weave this into his designs. His creative style conveys a European influenced expressionism projecting what he feels through his artistry.

Using select woods, he handcrafts each original piece and applies a clear satin finish to the final work, allowing the natural beauty and richness of the wood to come through adding warmth and dimension to each composition.

These unique pieces consistently win "Best of Show" and "People's Choice" awards in juried art exhibits and are in private and professional collections across the continental United States.